Thursday, April 30, 2009
The work of Douglas I think is interesting from a cinematic perspective. The physicality of the work opens new-ish way of presenting a motion picture in multiple screens. It has a strong representation to real life with the subject (a 4 year old Indian elephant) filmed inside the gallery space it was to be exhibited. it creates this sub-conscious question of how the elephant got into the space, is it computer generated.
Stylistically its interesting with the play on time being real playback time yet it feels in slow motion, and the colours feel black and white....but are not.
From an animal right perspective the work is quite shocking, but what I got from reading a couple of internet articles nobody was to concerned. In juxtaposition to the African Circus in Dunedin in April, there was huge debarcle regarding this exotic elephant and the council's rule to disallow exotic animals in the City. It brings the issues of cruelty and un-natural habitats for creatures in captivity.
"One of my art teachers put me onto trying to find my own art theory. After many morning walks...an idea hit me that seemed like a complete revelation. It was to compose motion, just as musicians compose sound. [ The idea ] was to lead me far, far away from wanting to excel in...traditional art."
when dealing with film I see Len lye as one key figure to be considered. There are strong fundamental relationships to motion and picture.
Wednesday, April 29, 2009
Today was spent playing on Photoshop, experimenting in automating batches of photographs to be at the exact same resolution and size.
done by sampling an image and using the 'actions' tool to record the changes to the image and what to apply. Then I used the 'automate-batch' tool which open a new window where I selected the folder of files which were to be adjusted the same.
Lessons in keeping files and folders neat and tidy and very essential tools to use when dealing with multiple images of the same format and scale, resolution etc.
Tuesday, April 28, 2009
Monday, April 27, 2009
( Here is a statement of my current material and subject. )
The material I have been using for my subject has consisted of an old 8mm film called 'Murder Inc.'
I have also been interested in adopting youtube footage. This was my initial material I had readily available to experiment with and a great starter for creating a motion picture and adapting the two juxtaposing mediums- Digital and analogue.
Pam kindly delivered some old 35mm slides from the old art theory projection collection. To start with I got a hold of some New Zealand related images which I thought would be a starting point of some relevance to me.
Another area of subject I am experimenting with is video of Jumbo the elephant from the African circus that is currently in town. An exotic animal in a mundane NZ setting.
Xanadu / U.S.A is a rapid-fire montage that condenses archival footage of Doomsday cults, iconic political figures, and global fundamentalist movements into seconds-long image bites, representing a history of apocalyptic thought as a series of MTV-style music videos.
The works that form Xanadu probe society's self-destructive impulse while parodying various elements of popular culture such as documentaries, news media, cartoons and pop music. Culled from hundreds of hours of archival footage including that of Doomsday cults, iconic political figures, and global fundamentalist movements, Xanadu tweaks, condenses and re-frames modern events into seconds-long image bites, representing a history of apocalyptic thought as a series of MTV-style music videos within a setting reminiscent of a discotheque. Do sweet dreams of suicide cults, mass annihilation, genocide and the Apocalypse all become part of a self-fulfilling prophecy? Set to saccharin dance tracks, the Xanadu videos suggest that humanity is not apathetic about its own demise, but on the contrary - it secretly desires it!
extract from : http://www.sundance.org/festival/film_events/new_frontier_at_sundance.asp>
DER WALD (THE FOREST)
In the first version of "The forest", made as a computer animation, the image of the forest creates the impression of a three-dimensional space constructed from elements which themselves are only two-dimensional. The basis for the image is a black-and-white drawing of a bare tree. "The forest" can also be viewed as a long vertical composition running in an infinite sequence. This is the first of several lines of movement in the animation. Waliczky copied the two-dimensional drawing onto the surface of a number of transparent cylinders. When the cylinders begin to revolve, the camera appears to pan to the right or left. This is the second line of movements. The virtual camera is also mobile: it can move forwards or backwards along a circular path within the forest, thereby forming the third line of movement. The combination of the three lines makes it possible to produce movements running in every direction. With this structure, Waliczky alters the whole system of coordinates on which the representation of space depends. Whereas the three directions (x, y and z) normally correspond to straight vectors, Waliczky's system of coordinates employs curved lines that loop back on themselves. This evokes a sense of limitless space: the viewer feels that there is no way out of the forest extends in every direction. The resulting illusion is complete and deeply alarming: the infinity of gaze leads to a total loss of perspective.
Anna Szepesi, 1995
Wednesday, April 22, 2009
just annoying to have to chase around for it.
When struggling away thinking about spark, pixel, fire, electricity blah blah I honed in on pixel and the meaning picture element which was the piece of interest. I began to think of ways in constructing images in elements in a more analogue sense. This is while still thinking about projections and large scale imagery. So the prism sprung to mind and these are the images I got before abandoning the idea. maybe I'll pick it up again but probably not.
When I am in a blank space I draw to keep some form of momentum. In these pictures I started to draw in large scale, the Port Otago web cam image I was using a lot in my last 'systems' project. The subject of the image itself I find semi-irrelevant, I am quite interested in concepts of found or appropriated imagery, with this shot copied from the port otago website.
The projection was a starting block to thinking about fundamental displaying in a more cinematic term. Thinking towards cinema in a glamorous, elevated image. yeah
Tuesday, April 21, 2009
“Speed is a means to celebrate the perfection
of stillness.1 Speed is at the core of the
Bombay filmmaking machine.”2 —Doug Aitken
i've been reading about his work 'Into the sun' 1999 which is a video projection of appropriated or found footage. The video is a mixed together but what I find more interesting is his use of his subject in a regurgitated manner very directly.
He also talks a lot about speed and motion in relation to cinema.
Wednesday, April 15, 2009
So now I have a way of creating an image from a film reel, my vague plan consists of playing with the film itself on photoshop, recording the moving image on digital film, playing with projections, and attempting to built a reel from mylar.
Tuesday, April 7, 2009
The project seems to be moving quite slowly but some ideas are flowing. All my thoughts and drawings are directing towards projection (of light) of motion picture. Some form of cinema with abstracted image which I could assemble. Firstly I want to construct a film reel out of mylar but am not sure at what width would be appropriate. I am bidding on trademe for an 8mm film reel of 'Humphrey Bogart Murder INC' so that will be fun to play with, also i am contemplating an old 8mm editing/ viewing device which could turn out to be valuable in terms of presentation methods.
incorporating the pixel would come with the mylar printing. I am not sure of what the subject would involve at this stage. I have been using webcam images